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According to the agency, Lee Hyori, Ok Joo-hyun, Lee Jin and Sung Yuri are once again coming together to prepare official group activities. No detailed schedule has been set, but the agency says it plans to roll out updates in stages over the coming weeks.

It's been a long time since all four have kept up sustained activity under one team name. The last comparable chapter dates back to a digital single release in 2005. There was a brief reunion after that — the four came back together for a new song tied to a television variety show — but that project was widely seen as a one-off built around a broadcast schedule rather than an ongoing comeback.

The four members broke into the K-pop scene in the late 1990s and quickly racked up a string of hits, becoming one of the defining acts of Korea's first generation of girl groups. They moved fluidly between innocent, girl-next-door concepts and bolder, more assertive ones, and regularly swept year-end music awards shows during their peak.

Since the group went quiet, each member has built her own career. One became known for variety shows and solo records, another rose to the top ranks of Korea's musical theater scene, and the other two split time between acting and broadcasting. This new project will reportedly be organized by the agency in partnership with affiliated companies.

The seven-member group returned to the center stage of a major US festival after a long absence. According to the group's label, BTS closed out the festival's multi-artist opening night, taking the final slot of the evening. Given that their last appearance at this festival came before the pandemic, it marked the end of a considerable gap.

The setlist notably led with tracks from their newly released album. They opened against a backdrop of rippling water visuals on the arena's massive screens, followed by a song set against the glittering nighttime skyline of the host city. As the set moved into older hits, the screens showed a journey from a narrow passage out into vast space, before the performance closed with an image of seven fireballs falling across a desert landscape — a visual echo of the group's seven members.

During preparations, the members reportedly expressed gratitude to the fans who have supported them over the years. They were said to be especially struck that the crowd sang along even though most of their songs are in Korean.

A number of top artists across genres also performed at the festival alongside BTS. On night two, a girl group from the same label is set to take the stage — reportedly the first time a K-pop girl group has performed at the festival, following in the footsteps of their label's senior act.

Christopher Nolan's retelling of a war hero's long journey home is showing no signs of slowing down at Korean theaters. According to the Korean Film Council's integrated ticketing network, cumulative admissions for "The Odyssey" crossed the 11 million mark on the morning of September 18. That the film is still adding a steady stream of daily viewers a month and a half after opening is notable in itself.

Advance ticket sales tell a similar story. The film has held the top spot in overall daily presales without interruption from early last month through today. That streak now makes it the longest-running No. 1 in daily presales for any foreign film released in Korea since 2010, well past the previous record, which had been shared by two other films.

The admissions milestone matters too. The film already passed "Interstellar" to become Nolan's highest-grossing release in Korea, then kept climbing past new competition to overtake several Hollywood blockbusters that had held higher spots. It's now closing the gap on Korea's all-time No. 5 foreign film.

The film is Nolan's first release since "Oppenheimer" three years ago. Matt Damon stars as Odysseus, following the war hero's journey home to Ithaca after the fall of Troy. It opened in Korean theaters nationwide on the 5th of last month and remains in wide release.

KATSEYE is back in the running for one of the biggest nights in American pop culture. In a fresh batch of MTV VMA nominations announced September 18 local time, the multinational girl group scored a nod in the Group of the Year category, while the title track from its third EP is up for Song of the Summer — going head-to-head with tracks from Taylor Swift, Sabrina Carpenter, Bruno Mars, and Ariana Grande.

That's on top of nods the group already picked up when the first wave of nominations dropped in early August, when another track from the EP landed nominations in K-pop and choreography-focused categories. Combined, KATSEYE is up for four VMA categories this year. The group won a trophy in a breakthrough-performance category last year off a single, so fans are watching to see if they can go back-to-back.

The charts back up the hype. On the UK singles chart, one album track climbed to No. 18 this week, marking its eighth week on the chart, while the title track logged a fifth straight week at No. 48. On Spotify's Global Weekly chart, the same two songs sit in the high-30s and 80s respectively, and a collaboration track with LE SSERAFIM and ILLIT just entered the list too — putting three KATSEYE-linked songs on the global chart in the same week.

The US numbers are even more striking on the album side. The third EP debuted at No. 1 on the Billboard 200 and has stayed in the top 20 for more than a month since. With the previous EP and debut release still charting, the group has three projects on the Billboard 200 simultaneously, while two singles sit in the high-20s and high-60s on the Hot 100. First-week US sales for the new EP hit 170,000 units — making KATSEYE the fourth K-pop girl group ever to top the Billboard 200.

The group is a joint venture between HYBE and Geffen Records, born out of HYBE chairman Bang Si-hyuk's "multiple hubs, multiple genres" strategy. Members were selected through a 2023 survival show before the group's official US debut in 2024. Live shows are rolling too — the world tour kicked off in Dublin earlier this month, with UK and European stops underway and North American dates starting next month.

BLACKPINK member and solo artist Rosé released both the track and music video for "New Trick" at 8 a.m. on September 18, in partnership with Apple. The garage-punk song pairs raw, driving production with lyrics about moving through hard times at her own pace. Songwriter Amy Allen, who co-wrote her earlier hit "APT.," and producer Andrew Wells, who worked on "Stay A Little Longer," both return for this one.

The video is the latest installment in Apple's long-running Shot on iPhone campaign, following turns from Lady Gaga, Olivia Rodrigo, and The Weeknd. It was filmed entirely on a single iPhone 18 Pro. Apple's and Rosé's official accounts both teased the release first with a 15-second clip of Rosé holding candy.

Directing duties went to Dave Meyers, the veteran music-video director behind work for Taylor Swift and Kendrick Lamar, among other A-list pop stars — and, closer to home, BLACKPINK's "Jump."

Meyers first built his name in Korea directing "APT.," Rosé's duet with Bruno Mars that came out ahead of her debut solo album, "rosie," released in December 2024. The song climbed to No. 3 on Billboard's Hot 100, cementing Rosé as a global pop star in her own right. She's also confirmed a new solo album is on the way next year.

BTS's label announced that a remix of one of the group's signature tracks has crossed a major YouTube viewing milestone. The song was reworked years ago by world-renowned DJ Steve Aoki into a distinctly electronic sound that departs sharply from the original. Its continued ability to draw viewers years later is drawing fresh attention to the track's staying power.

This marks the fourth BTS video to hit that view count. With several other flagship music videos already having crossed the same threshold, this latest milestone reaffirms the group's status as a long-running commercial juggernaut. The song itself is built on a track from BTS's fifth mini album, and Aoki's distinct remixing style gives it a mood far removed from the original version.

The video leans on striking imagery — an interrogation-room-style set lined with microphones and a car engulfed in flames — while the seven members' tight choreography drives the song's intensity. The moment near the end when one member drops the mic has become the track's signature image, still referenced today. At release, the song also charted on the US's leading singles chart, an early sign of its overseas reception.

The group is currently on a massive new world tour and is set to kick off the first city of its South American leg in early October. With news of this viewing milestone landing right as that leg approaches, it's reinforcing the sense that the group's global pull remains as strong as ever.