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P Nation announced BABYDONTCRY's comeback on the 26th by posting a teaser video to its official social media accounts. The clip ends with the title 'Replay,' the date Nov. 4 and a note about the release in Korea and Japan.

'Replay' is an R&B track over a 2-step garage rhythm, and it's about memories and feelings that stay with you. The song's description says the members' delicate vocals blend with a supple groove.

The Japan plans were also revealed. BABYDONTCRY is working with Warner Music Japan, and on Nov. 4 a Japanese version of 'Replay' will be released there first. The group will then make its official Japan debut with the mini album 'Daybreak/Replay' on Jan. 20, 2027.

The group debuted on June 23, 2025, with the single 'F Girl.' It followed with 'I Don't Care' as its second digital single, then released its first mini album, 'After Cry,' this March. On that album, 'Shapeshifter' was the pre-release track and 'Bittersweet' was the title track. P Nation's first four-member girl group, it bills itself as an 'icon of soft on the outside, strong on the inside.'

Juun.J has joined 'The Festa D'Origin' as its costume partner, news that surfaced on the 27th. The exhibit looks at K-pop artists off the stage, using fashion, art, video and photography. Its theme is 'pagak' (破殼), which means breaking out of your shell.

Nine acts were reported as participating: BTS, aespa, RIIZE, Stray Kids, IVE, G-Dragon, CORTIS, ENHYPEN and TOMORROW X TOGETHER. Creators from a range of fields round out the show.

Juun.J's base color is black, the brand's calling card. It leaned on leather and precision tailoring, mixing pieces that wouldn't normally go together in a single outfit. That reflects the brand's philosophy of ignoring gender lines and conventional clothing categories. Crisp, clean lines are set against deliberately puffed-up silhouettes for depth, and layered outerwear suggests some unexpected proportions. Photography by Korean photographers is displayed alongside the clothes.

Creative director Jung Wook-jun, who also holds the title of executive vice president, described black as the brand's design language, one that sharpens the contrast in shape and proportion. He said the team turned that language into dimensional garments to fit the exhibit's world. He also said the collaboration is a step toward engaging with more cultures and growing the brand's footprint in the global fashion market.

The Seoul venue is the MPX Gallery in the North Atrium on the third floor of IFC Mall in Yeouido, open through Nov. 30. Starting in January 2027, the exhibit will roll out in Tokyo and other major cities abroad.

Seventeen's Seungkwan and Dino walked through the gates of boot camp on the same day, Oct. 26, kicking off the group's military hiatus in earnest. Both will serve as Army military band members, starting with basic training before moving on to their main duties.

On enlistment day, boot camps fill with families as well as new soldiers. With that in mind, Pledis Entertainment, the group's agency, put out a notice asking fans to refrain from showing up in person.

The latest enlistments mean every Seventeen member eligible for active-duty or alternative service has now entered the process or completed it. Jeonghan went first, enlisting in September 2024 and getting discharged this June. Woozi, Hoshi and DK are serving as active-duty soldiers, and Wonwoo and Vernon are working as public service personnel.

The agency said that once service begins, the members won't be able to join the group's official schedule. It added that fans can still expect to hear from them through a number of pre-produced content pieces.

Good news landed the same day. Seventeen was reported to have topped the Asia touring artist ranking from Pollstar, the US concert industry trade outlet, which covers August 2025 through July 2026. Tour revenue for that period came to about $97.4 million, or roughly 130 billion won, and about 660,000 tickets were reportedly sold.

The production team dropped new stills of Jang Nara as Cha Eun-kyung on the 26th. In the story, Cha launched the Libom law firm and, in only three years, became the head of a divorce practice with 50 people on staff. In the stills, she wears the easy smile of someone named a "Power Woman of the Year," which sums up her new standing as a successful boss.

The title may be bigger, but the workaholic streak hasn't changed. The released scenes show her sizing up cases with a sharp eye and calmly arguing in court. The team says it wants to show a lawyer whose skills have only deepened.

The heart of the story is the partnership between two attorneys. Cha is the lead lawyer who treats divorce cases like a calling, and Kang Hye-seong (played by Kim Hye-yoon) is an experienced hire just as driven in the same field. Working as a team, they take on clients' cases and look for the best choices in the lives that continue after a divorce.

Jang said she was grateful to join a project that earned a sequel. Playing the same character again felt new, she said, and because the role has so many adventurous elements, there were moments when she became more careful. The biggest change, she said, is empathy: running a firm has widened how well Cha listens to what clients are going through. She added that she let go of the pressure and ambition from the earlier season and approached this one with a relaxed mind.

Jang won the grand prize (daesang) at the 2024 SBS Drama Awards for her work in the first season. The new season is slotted right after the currently airing Doctor X: The Age of the White Mafia, starring Kim Ji-won, keeping SBS's Friday-Saturday drama block going.

The episode, subtitled 'Dive Into the Flavors of Northern Gyeonggi,' wandered around the city of Goyang. Hosts Jun Hyun-moo and Kwak Tube started with whole dried pollack soup served with seawater tofu, then brought in IVE members Gaeul and Liz.

In the car, the talk turned to IVE's young fans. Liz said kids' voices carry unusually loud at concerts, and Gaeul explained that there's a separate waiting area for little ones. Liz joked about the two fandoms, saying that at a Lim Young-woong show the kids wait for their parents, while at an IVE show the parents wait for their kids. The group then hit a noodle spot with a long line, where they dug into handmade dumplings and naengmyeon (cold noodles) piled high with cucumber. After the meal, Gaeul and Liz gave the first variety-show performance of their new song.

The next stop came from a hint about Jun's high school graduation meal. Stumped, Liz called her mother, and during the call it came out that her mom was born the same year as Jun. She said her family used to eat jjajangmyeon (black bean noodles) at a Chinese restaurant on graduation day. Asked to brag about her daughter, she said Liz won a filial daughter award and a good child award every year in elementary school. She also recalled that Liz stood out for her looks from a young age, so people were always touching her, which made her a shy kid.

The cast then headed to a Western-style diner in Ilsan Market, but the shoot didn't happen. According to Maeil Business, the owner is 74 and said he worried about how a TV appearance would affect his dinner business. Jun apologized for dropping by without notice, and Kwak Tube said he respected the decision. The group quickly found another place, a nopo (long-running local restaurant) whose owner was thrilled to see the IVE members, and had dinner there.

The scene drew extra attention because of recent controversy over how the show picks restaurants. Maeil Business reported that the production team has denied claims of advance booking, saying it never contacts restaurants or announces visits before filming. The show's concept is that the hosts pick restaurants on the spot with no advance planning.

BTS' agency, Big Hit Music, announced on Oct. 24 that 'Swim' has crossed 1 billion total streams on Spotify. According to the company, it's the first song released worldwide this year to reach that number, and it got there faster than any other BTS track. A billion streams is one of the signature hit benchmarks of the streaming era.

'Swim' is the lead song from BTS' fifth studio album, 'Arirang.' News1 reported that the milestone came about seven months after its March 20 release. The lyrics are about keeping a steady pace through life even when it comes crashing in, rather than fighting it head-on, and RM reportedly handled most of the writing.

That makes seven BTS songs with a billion streams or more. 'Dynamite,' 'Butter' and 'Boy With Luv' got there first. The group debuted in 2013, took a break for military service, and returned this March with a new album. This record came from that comeback project.

Award news came along with it. Reports say 'Swim' won Song of the Summer at the American Music Awards and Song of the Year at the MTV Video Music Awards. That detail appears in only one outlet's coverage, though, so it still needs confirmation.

BTS now has its first 200-million-view video from the album Arirang. According to Big Hit Music, the "2.0" music video crossed that line around 9:30 p.m. on the 22nd. It premiered April 2 on HYBE Labels' official channel, so that's a little over six months.

The song comes from the group's fifth studio album, released March 20. The album's title track, "SWIM," and the album cut "Hooligan" have each passed 100 million views too, and they're still pulling steady traffic. The twist: the first to reach 200 million wasn't the title track. It was "2.0."

Musically, it's a hip-hop and trap number built on offbeat, shifting rhythms. The lyrics are about the group's current chapter, a new phase after plenty of change and growth. It also made its mark on the charts, debuting at No. 50 on the Billboard Hot 100 dated April 4.

The visuals are a big part of the buzz. At the center is a one-take shot in a narrow hallway that recalls the hammer fight scene from director Park Chan-wook's film Oldboy. The members bring in some noir mood, then add humor with unexpected props: a back scratcher, a taegeukbu-chae (a Korean folding fan decorated with the taegeuk, or yin-yang, symbol), and a danso (a small Korean bamboo flute). The setting moves from a run-down elevator to a glitzy penthouse, which reads as a symbol of climbing up from nothing and starting fresh.